Ramon Keller – A master craftsman with a special view 

It’s not glaciers and high-mountain lakes that Ramon Keller encounters in his work. High above the rooftops of Basel, he continues to make history, stone by stone, as the cathedral workshop’s master craftsman. Working together with his team, he ensures that the city’s most important landmark will continue to stand for years to come. 

Valérie Ziegler, nuage

How many times have you climbed the cathedral tower? And when was the last time? Many people in Basel are familiar with the famous cathedrals in Cologne, Milan and Prague – yet they often only visit their own cathedral during their school days. Sometimes, all it takes is a fresh pair of eyes to rediscover your own city. Or a walk through St. Alban-Tal. Nestled between medieval walls, old paper mills and the longest surviving section of Basel’s outer city wall, this place feels almost like a small village in the heart of the city.

One person who experiences this setting almost every day is Ramon Keller. The 45-year-old from the Basel-Landschaft region is the master craftsman at the cathedral workshop – and therefore jointly responsible for ensuring that the city’s landmark is preserved for future generations. 

Cathedral workshop? Ramon laughs: “People often assume that I work at some SAC hut in Graubünden when they hear that I’m a master craftsman in a workshop.”

“People often assume that I work at some SAC hut in Graubünden when they hear that I’m a master craftsman in a workshop.” Ramon Keller

Yet since the Middle Ages, there have been workshops like this in many cities with large cathedrals. They were responsible for the construction of these large-scale buildings and continue to maintain them to this day. In Basel, however, the workshop has not existed continuously since the Middle Ages. It wasn’t until 2 January 1986 that the newly established foundation for maintaining Basel’s cathedral began its work. Today, a specialist team comprising a total of ten stonemasons, stone sculptors and restorers is responsible for maintaining and restoring the cathedral.

From the completion of the cathedral in around 1500 until 1986, independent trades were responsible for repairs. “Consequently, the void is huge. For centuries, there was hardly any record of exactly what work was carried out”, explains Ramon.

A workshop for Basel

The foundation is supported by the Canton of Basel-Stadt, the Evangelical Reformed Church of Basel-Stadt and the Christoph Merian Foundation.

“Our most important task is to preserve Basel Cathedral (Münster) in its current state for future generations.” Around 90 per cent of the work involves stone. Independent craft specialists such as stained glass artisans or metalworkers are still brought in. 

“Our most important task is to preserve Basel Cathedral (Münster) in its current state for future generations.” Ramon Keller

Work is carried out directly on the cathedral or in the workshop in St. Alban-Tal. New stoneworks are made in the latter during the colder months in particular. “The temperature at the construction site must never fall below five degrees; otherwise, the repair mortars won’t set properly.”

Ramon also works as a stonemason at the construction site two days a week – a connection that’s important to him. He devotes the rest of his time primarily to organisational matters, personnel issues and public relations. Guided tours for school groups and clubs play a key role in this – without them, not only would the stonemason’s trade be virtually unknown, but so too would the concept of the cathedral workshop.

Stone by stone

For the past five years, the team has also been working on a church – Elisabethenkirche – whose tower is due to be restored by 2027. As a result, there are currently lots of new stones piling up in the workshop. The red ones are for the cathedral, the grey ones for Elisabethenkirche – with the latter originating from the Vosges. Once a year, Ramon travels to the quarry to decide, together with restorer Bianca Burkhardt, which blocks will be sent to Basel.

Ramon himself has now become part of the “bedrock” at the workshop. He has been working here since 1998 and actually completed his apprenticeship in St. Alban-Tal (locally known as “Dalbeloch”).

Yet he originally wanted to become a chef. “However, my teacher at the time insisted that every pupil had to try out three different jobs. What a great coincidence!” That’s because, for a long time, hardly anyone showed any interest in the stonemasonry trade. However, thanks to intensive public relations work, Ramon now regularly receives enquiries about taster apprenticeships, mostly from women. “For the first time, we can even train two apprentices at the same time.”

“For the first time, we can even train two apprentices at the same time.” Ramon Keller

Daily life in the historic building, which originally housed the paper mill’s drying rooms, is characterised by a sense of community: every day, someone from the team does the cooking. “Everyone has to go through it – even those who don’t like being in the kitchen”, says Ramon with a smile. “I learnt to cook here myself.”

Apart from this, the workshop in Basel enjoys an excellent reputation and has received numerous awards. Since 2020, it has appeared on UNESCO’s Lists of Intangible Cultural Heritage, alongside 17 other similar workshops in Europe. The workshop team is also made up of people from all over the world.

“Dad, is that your church?”

Anyone who works here becomes part of a history stretching back centuries. Ramon still remembers exactly the moment when he first saw one of his own pieces at the cathedral: a simple, square stone. Over time, it’s easy to forget just how special this work is in the day-to-day – until visitors or friends remind you. Or your own children: “They sometimes ask me: Dad, is this your office? Your church?” They’re not entirely wrong about that.

He also has a special connection to the cathedral because he got married there.

“Things get particularly emotional when a defective component is removed from the structure and replaced with a new one.” Ramon Keller

“Things get particularly emotional when a defective component is removed from the structure and replaced with a new one. When I think about how many of my own thoughts and feelings are embedded in this stone, and at the same time imagine the emotions that someone from a bygone era poured into their work, I sometimes lose myself completely in this world of thought.”

Rheinfähre

Ramon Keller enjoys experiencing Basel Cathedral (Münster) from a different perspective, for example from one of Basel’s ferries. © Basel Tourismus

And precisely because Ramon Keller’s job is so unique, he tries to remind himself of its special nature time and again: “It’s often the little things that change your perspective – for example, taking the ferry across the Rhine again and seeing the cathedral from a new angle. I even keep telling my apprentices to stroll through Basel as if they were tourists in Florence.”

“Sometimes it really does feel as though you’re taking little trips through time.” Ramon Keller

High above the city’s rooftops, on the cathedral, he also likes to imagine what it must have been like here in the past. “Sometimes it really does feel as though you’re taking little trips through time.”

Ramon Keller

Ramon Keller is a master craftsman and head of the cathedral workshop in Basel. He’s been working there as a stonemason and restorer since 1998 and is in charge of the workshop at Basel Cathedral (Münster). The cathedral workshop has been responsible for the preservation of this historic building since the foundation was established in 1986. Together with his team, he helps preserve the cathedral in its current state for future generations. 

baslermuenster.ch

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